Folk N Rock
A Look At The New Video For Sons Of Silvers ” Just Getting Started”

Sons of Silver have finally dropped the official video for their track, “Just Getting Started.” This high-octane single is the second offering from their upcoming LP, and it’s no surprise that it’s been one of my most anticipated releases of the year. Sons of Silver has been on a creative roll lately. With the release of “Just Getting Started,” the wait for the full album inches closer to its end, and the excitement among many of us here at the site is high. Today, I’m going to take a deeper look into the song itself and explore what makes it such a relatable track.

The song kicks off with a barrage of sound. A relentless, rapid-fire drum pattern lays the foundation, joined by a driving rhythm section. These opening moments, with their raw energy and pounding percussion, hit with a fleeting sense of classic punk rock. However, the sound swiftly pivots into bluesy rock territory, with guitars taking center stage. The guitars churn out a sea of gritty riffs thatgive a stark contrast to the initial burst of frenetic energy. This shift establishes a dynamic sound that sets the tone for the rest of the track.

The song’s instrumentation thrums with a confident swagger, a touch of coolness mixed into the driving rhythm section and bluesy guitar riffs. The lyrics, particularly the infectious “Sha-na-na-na-na-na-nah” section, possess a playful charm. This catchy hook, delivered with charisma by Pete, is undeniably fun to sing along to.

However, the seemingly effortless delivery masks the technical complexity of the melody. I know that sounds a bit wild, but it like the ol “try saying that three times fast.” Mastering the nuances of the phrasing requires some control here folks, making it a challenge for even the most enthusiastic fan to perfectly replicate.

Pete injects a sense of grit into his vocal delivery, perfectly complementing the fun little riffing parts. However, a closer listen reveals a level of nuance beneath the surface. Subtle vocal layering and strategically placed harmonies, particularly during the chorus, add a touch of warmth that counterbalances the song’s initial abrasiveness.

These subtle additions, along with gentle melodic riffs woven into the background, create a a cool little duality. The song constantly teeters between the raw and the refined, the edgy and the soothing. This interplay of contrasting elements kept me hooked. Further pushing the song is a guitar riff that emerges as a big highlight for me. Its infectious, and the energy gives a serious shot right to the chest.

I feel like the song seems to grapple with life’s unexpected blows and the humbling power of reality to bring even the strongest and most successful down to earth. There’s a sense that ambition, ego, and the relentless pursuit of something–whether it’s fame, fortune, or power–can lead to a painful crash when life decides to throw a curveball. With all the talk of fools, thugs, fights, and sucker punches, it feels like a cautionary tale against complacency and excessive pride.

For example the line “the bigger the deuce, the bigger the flush” hints at cause and effect. Our actions ripple outward, affecting others. Whether a small gesture or a grand decision, consequences follow like echoes in a canyon, and they are plentiful. Despite its focus on being struck down, the song also hits with a defiant attitude in a way.

It’s about enduring those moments of pain and finding strength within them. I think that shines through with the line “bring us all back down to earth” which to me seems to suggests a sense of universality – no matter who you are or what you’ve achieved, everyone experiences setbacks and hardships.

The song also carries a strong message of resilience I think. Such as the emphasis on fighting back, overcoming challenges, and the promise of an “other side” where “we’ll all laugh and we’ll all cry” lets us know that hey, we all go through things, lets just listen to some music, and share our sorrows. It feels like the song is reminding me that even when life knocks you down, there’s the potential to get back up, learn from the experience, and connect with those who’ve endured similar struggles.

The “sucker punch” metaphor emphasizes the suddenness and potential devastation of life’s blows. But the song doesn’t dwell on the pain. Instead, it offers a glimmer of hope, suggesting that through facing challenges, we can develop strength, resilience, and a deeper sense of empathy for others who are struggling. Which is a reminder, check on your friends, folks.

Overcoming hardship isn’t about pretending the pain doesn’t exist. The song understands the emotional toll of setbacks with the lines about how it can hit you in the gut. But it also suggests that by processing those emotions and learning from them, we can emerge stronger and more prepared for whatever life throws our way.

The shared experience of overcoming challenges can also foster a sense of solidarity and connection with a friend, or even a stranger. “I’ll see you soon on the other side” feels like an invitation to a share and relate to the pain, a reminder that we’re not alone in our struggles.

Now for me, “remembering the songs that got you through the night.” is a powerful line. While it could be about finding strength in specific songs, it might also be a broader metaphor for how art, music, and shared experiences can bring solace and offer a glimmer of hope during difficult times. The song seems to acknowledge the major role music plays in reminding us of our humanity and shared journey.

“Just Getting Started” showcases Sons of Silver at their best. It’s a track brimming with energy, memorable guitar work, and just a touch of greatness all around. For the time being, it’s definitely earned its spot among my favorite Sons of Silver songs. This single amplifies the already high anticipation for their upcoming LP—if the rest of the album is even half as electrifying as “Just Getting Started,” then we’re in for an absolute treat.

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Scott